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Gabriele Marino

  • Dottorato: 27° ciclo
  • Matricola: 759131

Contatti

Tutore

Guido Ferraro

Curriculum vitae

Curriculum Vitae

Tesi di dottorato

Sounds of future passed: categorizations, contact, and innovation in contemporary popular music. Sociosemiotics of dubstep

Attività di ricerca

Semiotics and Sociosemiotics [SS]

Popular Music Studies [PMS]

Music Criticism and Musical Aesthetics [MA]

Computer Mediated Communication [CMC]

Local History [LH]

  • Publications
  • Talks
  • Teaching
  • Research groups
  • Editorial boards
  • Memberships
  • Organization of events
  • Commissioned works
  • Education
  • Languages
  • Informatics skills
  • Other activities

Books

Gabriele Marino (2011), Britney canta Manson e altri capolavori. Recensioni e dischi (im)possibili nel giornalismo rock, Crac, Falconara Marittima (AN, ITA), pp. 200, ISBN 978-88-97389-01-9 [MA, PMS] Info

 

Book chapters

Gabriele Marino (in preparation, scheduled for 2016), “(Un)masked and anonymous: Burial’s denied profile and the memory of English underground music”, in Richard Mills, Mark Donnelly, and Lee Brooks (eds.), Pop & Englishness, Ashgate, Farnham (UK) [SS, PMS]

________________ (accepted), “Keep calm and Do the Harlem Shake: meme, Internet meme e meme musicali”, in Isabella Pezzini & Lucio Spaziante (eds.), Corpi mediali. Semiotica, tendenze, estetiche del quotidiano, ETS, Pisa (ITA) [SS, CMC]

 

Refereed articles

Gabriele Marino (accepted), Britney sings Manson and other masterpieces. (Im)possible reviews and records in rock journalism, in “The International Review of the Aesthetics and Sociology of Music”, edited by Ivano Cavallini [MA, PMS]

________________ (accepted), Le drop et le chose: appunti su generi, innovazione e ideologia nella popular music elettronica, in “Philomusica on-line”, “JFD-Just for Dancing” monographic issue, edited by Nicola Bizzaro & Alessandro Bratus [SS, PMS]

________________ (accepted), Draft notes for a plastic semiotics and a phonographic enunciation theory of music (working paper), in “Art Review”, edited by Hu Yirong [SS, PMS] Pre-print

________________ (in press), “What kind of genre do you think we are? Genre theories, genre names and classes within music intermedial ecology”, in Mark Reybrouck, Costantino Maeder, André Helbo, and Eero Tarasti (eds.), Music, Semiotics, Intermediality. XII International Congress on Musical Signification. Selected papers, Centro di Studi Italiani, Université Catholique de Louvain-la-Neuve, and Section of Musicology, Katholieke Universiteit Leuven (BE) [PMS, SS] Pre-print

________________ (in press), Trompe-l’oreille. Note sulla musica che inganna, in “Lexia”, No. 17-18, “L’agentività delle immagini/The Agency of Images” monographic issue, edited by Massimo Leone [SS, MA] Pre-print

________________ (in press, scheduled for June 2014), L’estasi dell’influenza: John Zorn e la transtestualità come paradigma, in “Estetica. Rivista di studi e ricerche”, No. 1/2014, “Ladri di musica: filosofia, musica e plagio/Thieves of Music: Philosophy, Music and Plagiarism” monographic issue, edited by Alessandro Bertinetto, Ezio Gamba, and Davide Sisto [MA, SS] Pre-print

 

Other articles

Gabriele Marino (2013), 布兰妮为曼伴唱及苒他杰作一摇滚新闻业中(不) 可能的评论及唱片 (‘Britney sings Manson and other masterpieces. (Im)possible reviews and records in rock journalism’; translated from English into Chinese by Yang Hui), in “Signs & Media”, No. 7, “Semiotics in Torino” monographic issue, edited by Hu Yirong & Zhao Xingzhi, pp. 148-157, ISBN 978-7-5614-7114-2 [MA, PMS]

________________ (2013), Musichaosmos. Intersoggettività, gioco e costruzione del senso nell’improvvisazione eterodiretta, in “E/C”, No. 15-16, “Il senso delle soggettività. Ricerche semiotiche” monographic issue, edited by Dario Mangano & Bianca Terracciano, pp. 101-110, ISSN (online) 1970-7452, ISSN (print) 1973-2716 [SS, MA]

 

Co-authored articles

Gabriele Marino & Maria Antonella Panzarella (submitted), “La collezione degli strumenti di fisica del barone Enrico Piraino nel Liceo Mandralisca di Cefalù”, in XXXIII National Congress of SISFA-Italian Society for the History of Physics and Astronomy. Proceedings, Pavia University Press, Pavia (ITA) [LH] Abstract

________________ & Vincenzo Santarcangelo (2014), “The enaction of Conduction: conducted improvisation as situated cognition”, in Donald Glowinski, Giacomo Lepri, and Andrea Pedrina (eds.), SysMus13, Sixth International Conference of Students of Systematic Musicology, Genoa, Italy, September 12-14, 2013. Proceedings, Casa Paganini-InfoMus Research Centre, DIBRIS-University of Genoa, Genoa (ITA), pp. 7-12, ISBN 978-88-909096-1-0 [SS, MA]

 

Refereed abstracts

Gabriele Marino (2013), “What kind of genre do you think we are?. From technique to lyrics, ‘genre definers’ within music intermedial ecology”, in Mark Reybrouck, Costantino Maeder, André Helbo, and Eero Tarasti (eds.), Music, Semiotics, Intermediality. E-proceedings of the XII international congress on Musical Signification. Abstracts and extended abstracts, Centro di Studi Italiani, Université Catholique de Louvain-la-Neuve, and Section of Musicology, Katholieke Universiteit Leuven (BE), pp. 113-116, ISBN 978-90-9027424-9 [PMS, SS]

 

Co-authored abstracts

Gabriele Marino & Vincenzo Santarcangelo (2014), “The enaction of Conduction: conducted improvisation as situated cognition”, in Manuela M. Marin, Michelle Phillips, and Donald Glowinski (eds.), SysMus13, Sixth International Conference of Students of Systematic Musicology, Genoa, Italy, September 12-14, 2013, Abstracts, Casa Paganini-InfoMus Research Centre, DIBRIS-University of Genoa, Genoa (ITA), pp. 36-37, ISBN 978-88-909096-0-3 [SS, MA]

 

Editorships

Gabriele Marino & Rosario Termotto (2013, eds.), Conoscere il territorio: Arte e Storia delle Madonie. Studi in memoria di Nico Marino, Vol. I, Ass. Cult. “Nico Marino” & Lulu Press, Cefalù (PA, ITA) & Raleigh (NC, US), pp. 235, ISBN 978-1-291-58694-7 [LH]

 

Associated editorships

Guido Ferraro (2013), Cinque tipi di soggettività in semiotica, “I saggi di Lexia”, No. 11, “Semiotica delle soggettività/Semiotics of Subjectivities”, edited by Massimo Leone & Isabella Pezzini, pp. 43-56, ISBN 978-88-548-6329-3 [SS]

Maria Pia Pozzato (2013), Sociosemiotica: scienza del generale o del particolare?, “I saggi di Lexia”, No. 11, “Semiotica delle soggettività/Semiotics of Subjectivities”, edited by Massimo Leone & Isabella Pezzini, pp. 145-154, ISBN 978-88-548-6329-3 [SS]

Julius Erdmann (2013), Bodies, Gasmasks, and Buttons: Visual Photographic Forms of Protest in Social Media, “Lexia”,  No. 13-14, “Protesta/Protest”, edited by Massimo Leone, pp. 141-160, ISBN 978-88-548-6059-9 [SS]

Remo Gramigna (2013), Between Cultural Studies and Semiotics of Culture. The Case of Culture Jamming, “Lexia”, No.13-14, “Protesta/Protest”, edited by Massimo Leone, pp. 57-96, ISBN 978-88-548-6059-9 [SS]

Francesco Galofaro (2012), Appunti sul secondo movimento della terza sinfonia di Górecki, “Lexia”, No. 11-12, “Culto/Workship”, edited by Massimo Leone, pp. 545-572, ISBN 978-88-548-5105-4 [SS]

György E. Szönyi (2012), From the Hieroglyphic Monad to Angel Magic. Semiotic Aspects of John Dee’s Esotericism, “Lexia”, No. 11-12, “Culto/Workship”, edited by Massimo Leone, pp. 109-136, ISBN 978-88-548-5105-4 [SS]

Ultimo aggiornamento: 13/05/2015 11:05
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